The Write Question

A weekly literary program from Montana Public Radio that features writers from the western United States.

Chérie Newman talks with Spokane author Sharma Shields about the stories in her collection, Favorite Monster, winner of an Autumn House Fiction Prize. Shields also reads two short passages from the book.

During this program, Susanna Sonnenberg talks about her new memoir, She Matters: A Life In Relationships, and the evolution of her friendships with women.

From the Publisher:

During this program, Chérie Newman talks with Spokane author Gregory Spatz about his collection of stories Half as Happy.

A grieving couple rents a desperate landlord’s house in an effort to recover lost intimacy. Twins are irrevocably separated by events both beyond and within their control. A nighttime prank and its gruesome aftermath forge human connections no one could have anticipated.

During this week's program, Chérie Newman talks with author and poet Joe Wilkins about his memoir The Mountain and the Fathers: Growing Up in the Big Dry. He also reads from the book and reads two poems from his new collection, Notes From The Journey Westward.

San Francisco-based author Sherril Jaffe talks about creative inspiration and reads from her award-winning collection, You Are Not Alone & Other Stories.

BOOK DESCRIPTION
A homeless woman takes up residence in a man's closet; a detective solves cases by feeling the emotions of the perpetrators; a woman happens upon a swingers' club in the back of a tire shop; a couple struggling with their pets' protracted endgame puts out a hit on them; and a man's mother, newly dead and buried, calls him to ask if she can visit.

During this program, Chérie Newman talks with Pam Houston about her book Contents May Have Shifted, a novel which Houston admits is about 87% true. So why didn't she publish it as a memoir? Newman wants to know. The answer has to do with the public's perception of truth and, of course, publishing industry lawyers.

About Contents May Have Shifted:

Stuck in a dead-end relationship, this fearless narrator leaves her metaphorical baggage behind and finds a comfort zone in the air, “feeling safest with one plane ticket in her hand and another in her underwear drawer.”

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