MTPR

jazz

In a career spanning half a century, Bruce Lundvall worked with a wide variety of artists including Miles Davis, Dianne Reeves, Thelonious Monk, John Coltrane and Norah Jones as the president of Blue Note Records. Phil Chess and his brother founded Chess Records, a storied Chicago label that captured great blues musicians like Muddy Waters in their prime and helped establish rock ’n’ roll as a musical genre. He even helped start the careers of Chuck Berry and the Rolling Stones.

Tune in to "What I Like About Jazz" for a tribute to the late Horace Parlan.
(PD)

Jazz piano great Horace Parlan passed away March 1, at the age of 86. His unique piano style was heard in classic recordings by Charles Mingus, Stanley Turrentine, Thad Jones, and many more Jazz artists from the late 1950's through the '80s. Join us on "What I Like About Jazz" on  March 15 for a tribute to Horace Parlan.

Emily Remler at Bach Dancing & Dynamite Society, Half Moon Bay, California.
Brianmcmillen (CC BY-SA 3.0)

We all know of many great women in jazz, but usually what comes to mind are the singers- Ella, Billie, Sarah, Dinah, we could list dozens of great ones. Most people can name at least a couple of piano players, too; Marian McPartland and Mary Lou Williams quickly come to mind.

But what about all the other instruments associated with jazz?

Terell Stafford In Aarhus Denmark (2012)
Hreinn Gudlaugsson (CC-BY-4)

Tune in January 11 for a very special "What I Like About Jazz" as we're joined by trumpet player and educator Terell Stafford.

In his 25 years as a recording artist, and more than 30 years as an educator, Stafford has toured the world, performed in both small groups and appeared in the Dizzy Gillespie Alumni Big Band, Jazz at Lincoln Center Orchestra and been a longstanding member of the Vanguard Jazz Orchestra.

As a recording artist, Stafford has more than 130 albums to his credit, including multiple Grammy nominations and wins.

Join host John Arvish on "What I Like About Jazz" for a conversation with Terell Stafford, Wednesday, January 11, from 8:00 - 10:00 p.m.

Van Gelder was closely associated with Blue Note Records, an American jazz record label.
FLICKR USER, TIM (CC-BY-2.0)

Take a look at any jazz recording made during the past sixty years and there’s a good chance that it will have been recorded by Rudy Van Gelder. From his studio in Englewood Cliffs, New Jersey, Van Gelder worked with artists like Sonny Rollins, John Coltrane and Herbie Hancock to produce some of the most memorable music of all time. Join Tom Engelmann as he pays tribute to the engineer who made recorded music come to life on another edition of "Unsung Heroes, Influential but Overlooked Masters of Modern Music."

Tune in to MTPR Monday, January 9 at 8:00 p.m. on your radio or online

Host John Arvish continues to explore the six-decades-long career of engineer Rudy Van Gelder Wednesday on "What I Like About Jazz," starting at 8:00 p.m.

After moving into his own studio at Englewood Cliffs, NJ, Van Gelder continued his long relationship with Blue Note Records, as the primary engineer on most of their hundreds of sessions between 1953 and 1967.

He also developed a relationship with the newly-formed Impulse Records. Among his many sessions there, Van Gelder recorded nearly all of John Coltrane's records up until his death. He also did pivotal sessions with J.J. Johnson, Yusef Lateef, McCoy Tyner and numerous others.

Vibraphonist Bobby Hutcherson, performing at the Berkeley (CA) Jazz Festival in 1982.
Brian McMillen (CC-BY-SA-2)

After Lionel Hampton and Milt Jackson, no one did more for the vibraphone as a voice in jazz than Bobby Hutcherson. Hutcherson pased away August 15 at the age of 75.

From his early recordings with Al Grey and Billy Mitchell, Jackie McLean, and Grant Green, on through the sixties and seventies, Hutcherson made the vibes a solo voice to be reckoned with. He carried the vibes beyond swing and Be-bop into free jazz, Avant Garde, and soul jazz.

Onward and upward: Faun and a Pan Flute
Faun and a Pan Flute

Faun and a Pan Flute is a collectively-led experimental nonet from Atlanta, GA. Their restless soundscapes are both demented and uplifting; restrained yet chaotic; complex, but still accessible.

Though abstract, these avant-warriors provide a create-your-own-ending sort of narrative with their compositions, all based around primal rhythms and controlled chaos.

Tom Brokaw will be a guest on the 100th episode of "You Must Remember This," on MTPR Monday, June 6 at 8:00 p.m.
Courtesy

Journalist Tom Brokaw will be Allen Secher’s guest on the 100th edition of Montana Public Radio’s monthly musical series “You Must Remember This,” which will air at 8:00 p.m. Monday, June 6. MTPR also will air portions of the interview on “Here & Now” at 1:00 p.m. Monday, June 6. You can listen to the interview portion of the show now.

"What I like About Jazz" does a retrospective on the career of George Coleman, in honor of his first album as a leader in many years. George came up in the 1950's, and played and recorded with Lee Morgan, Booker Little, and Max Roach, then replaced Hank Mobley in Miles Davis' band in 1963. Coleman has recorded as a leader and sideman, and was the original saxophone in Eastern Rebellion with Cedar Walton and Billy Higgins.

Hear all these and more on MTPR, including his new album "The Master Speaks," Wednesday, May 25 from 8:00 - 10:00 p.m. on your radio, or online.

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