Milk and Filth
cover dsign and image: Evan Lavender-Smith / University of Arizona Press

"All of us gun owners, pro-rights-pro-life, pro-choice…  all of us are being oppressed by this same coterie of rich people. But we’re oppressing each other through hate. And that’s great for that 1%. They’re thrilled when we’re fighting about trifling things because they have all our money now." — Carmen Giménez Smith


Oct 24, 2016
Confluence Press

by Greg Keeler

waiting for an hour alone
in the white room

naked from the waist down
clean flesh on clean sheets

polished steel and rubber tubes
behind reminiscences

of alcibiades on his*
lopping spree (would bogart


Oct 17, 2016
Jordan Hackworth

by David Allan Cates

A flash on the ridge lengthens shadows, dims the wire
of ravens, and you retreat again tonight.

Madness drives us to bury seeds in what solitude
and night reveal—or perhaps it's only vigor.

Born in longing, words come to life in whispers,
the first truth I know.

Evan Lavender-Smith / The University of Arizona Press

by Carmen Giménez Smith

When God was a woman,
empire was meh.
When God was a woman,
we built Schools of Listening
and every week we sat quietly
until we could hear
each other's thoughts.

No shadows when God
was a woman. Little girls
had great dominion,
and grandmothers

"The trouble with giving away a place name is that then we can guarantee someone else will go there," points out poet, Damon Falke. "No matter how remote the dirt road that winds its way to the overlook where the sunsets are eloquently perfect, someone else will seek and find the same road.  When we expedite this process of finding, we (or someone) will begin to advertise our places through a precise network of signs and signals.

Peter Miller

By Gregory Pardlo

For a flag! I answered facetiously. A flag of tomorrow,
fluent in fire, not just the whispers, lisps, not just the still there
of powdered wigs, dry winds. Who wants a speckled
drape that folds as easy over smirch as fallen soldier?
This is rhetorical. Like, "What to the Negro
is the fourth of July?" A flag should be stitched with a fuse.

Li Talpo

by Jane Hirshfield

They lie
under stars in a field.
They lie under rain in a field.
Under sun

Some people
are like this as well—
like a painting
hidden beneath another painting.

An unexpected weight
the sign of their ripeness.

The Poetry Of Life

Aug 24, 2016

In When We Were Birds, Joe Wilkins wrests his attention away from the griefs, deprivations, and high prairies of his Montana childhood and turns toward “the bean-rusted fields & gutted factories of the Midwest,” toward ordinary injustice and everyday sadness, toward the imminent birth of his son and his own confusions in taking up the mantle of fatherhood, toward faith and grace, legacy and luck.

Simon Huggins / Creative Commons

by  Rob Schlegel

I watch a silent film about the sea and I am forced
To imagine the sound the schooner is making.

Upstairs, you fill the bath with everything that has
Or could ever happen between us.

You think you have lived this day before. Earlier
At the fair we found a magician who claimed

Laurence Barnes

by Robert Pack

Beside the waterfall,
by the lichen face of rock,
you pause in pine shade to remember blue
for drawing back, and green
for trust, replenishing yourself
among familiar leaves
with scattered sunlight.
And beyond those trees in time not ours,
you see our children search