Carmen Giménez Smith talks about the politics and feminism that influenced the poems in her collection 'Milk and Filth'
"All of us gun owners, pro-rights-pro-life, pro-choice… all of us are being oppressed by this same coterie of rich people. But we’re oppressing each other through hate. And that’s great for that 1%. They’re thrilled when we’re fighting about trifling things because they have all our money now." — Carmen Giménez Smith
Reflections On Falling Off The Edge Of The Map, From Poet Damon Falke ("Reflections West," March 23 and September 28, 2016)
"The trouble with giving away a place name is that then we can guarantee someone else will go there," points out poet, Damon Falke. "No matter how remote the dirt road that winds its way to the overlook where the sunsets are eloquently perfect, someone else will seek and find the same road. When we expedite this process of finding, we (or someone) will begin to advertise our places through a precise network of signs and signals.
For a flag! I answered facetiously. A flag of tomorrow, fluent in fire, not just the whispers, lisps, not just the still there of powdered wigs, dry winds. Who wants a speckled drape that folds as easy over smirch as fallen soldier? This is rhetorical. Like, "What to the Negro is the fourth of July?" A flag should be stitched with a fuse.
Joe Wilkins talks about the poems in his collection 'When We Were Birds' and reads a few of the poems and an essay.
In When We Were Birds, Joe Wilkins wrests his attention away from the griefs, deprivations, and high prairies of his Montana childhood and turns toward “the bean-rusted fields & gutted factories of the Midwest,” toward ordinary injustice and everyday sadness, toward the imminent birth of his son and his own confusions in taking up the mantle of fatherhood, toward faith and grace, legacy and luck.