western author

"In A Field"

Jul 14, 2014

Here, in a field
Of devil's paintbrushes,
The circle of far trees
Tightens, and near bushes
Hump like ruins
When the moon floats loosely
Past the desolation
Owl moans wake. Here,
As if the world's
Last lovers, we
Have rung from the ruins
The whippoorwill's
Thrust of melody.
You have fallen asleep,
Breathing as the wind breathes
Among wetted thistle,
The scented vine,
And, listening, I move
My body toward you,
When a small convulsion
Shakes your hand,
The moonlight flashes

During this program, Molly Caro May talks about her nomadic childhood and her search for a place to "be from." She also reads from her new memoir, The Map of Enough: One Woman's Search for Place.

"Beside the Road While Our Nation Is at War"

May 26, 2014
Kim Stafford
writer, western U.S., poet

In our son's young hand,
borrowed from the ground in California,
five acorns glisten and roll.
"Dad! These could be bullets!
Will you help me make a gun?"

His eyes look up into mine.

"Or Dad! They could be magic
seeds! Will you help me make
a bag with a hole—so
they drop along the path
and grow?" I take his hand in mine.

"Little friend, we must decide."

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Steering With My Knees, poems by Paul Zarzyski
poetry, western author, bronc riding

During this program, Paul Zarzyski talks about and reads from his latest collections of poetry and prose, Steering With My Knees and 51: 30 Poems, 20 Lyrics, 1 Self-Interview, both published by Bangtail Press.

Including:

"Parowan Canyon"

Apr 21, 2014

When granite and sandstone begin to blur
and flow, the eye rests on cool white aspen.
Strange, their seeming transparency.
How as in a sudden flash one remembers
a forgotten name, so the recollection.
Aspen.

Walter Kirn talks about and reads from his memoir Blood Will Out: The True Story of Murder, a Mystery and a Masquerade.

About the Book:

Flood Song

Apr 14, 2014

He wanted to hold back gas-soaked doves with a questioning glance;
he wanted the clock to tick, downwind from this gavel and pew,
from this leash, bucket, drainpipe, and mildewed cracker,
from the mind's muddy swan served on a platter with lemon rids,
from spiders scurrying over its bone-polished surface,
from crosshatches punched into its shredded time card,
from the desert near the tree line where the molting must have begun,
where crushed bodies heave warm, jellylife,
in the thicket at the foot of the wandering,

"The Moment"

Apr 7, 2014

In those days, Betty Crocker
always called for sifted flour, and so
in homes across America, women sifted.
When my mother's mother turned
the wobbly red knob, hulls and stones
jumped in the wire basket,
but by my mother's time
the flour was fine—
now women sifted to achieve
precision, purity, perfection.
It made the white flour whiter.
Then flour came in bags,
already sifted, and women stopped
making their own cakes and bread,
and didn't have time anyway
for sifting. But for a flicker

"Spring"

Mar 31, 2014

Five first crocuses burst into bird-brilliant bloom
and suddenly everything flies: behind a car
ascraps of paper rise, two from a flock, startled dumb.
Some lives begin in abstraction; others end there.
If I find the child's fist this universe bloomed from
I will close it again as my own five fingers,
say worlds as one sentence, fit them into a name
for gold overwhelming finches, feather by feather.
With leaves returned, we still hear birds bu see them now
only when they fly. It's hard to see anything,

"Birds of a Feather"

Mar 24, 2014

Each spring the hummingbirds hover
over the same place on my patio
Where twenty-four years ago hung
a red plastic feeder filled with sugar water

Four or five fowl generations later
through some unfathomable feat
these offspring flutter wings over
empty air in worship of this sacred spot

And I wonder if my great grandparents
fed off the magnificence of the Rio Grande
Where it divides New Mexican high desert
Blood of Christ Mountains on one side
and burnt amber sunset on the other

Bryce Andrews talks about his decision to move to a cattle ranch in Montana and about the memoir he wrote about his experiences there, Badluck Way. He also reads two passages from the book.

About the Book:

"Emerald"

Mar 17, 2014

Unbidden, a green memory
sprang forth, so overwhelming
in its clarity, it leapt across
three quarters of a century:
I stood before a counter-top
of jewelry, eye height, beside
my father who had brought me to
that "five and dime" store in the Bronx.
          Among the many rings displayed,
one gleaming emerald shone there
surpassing all the rest, and, firmly set
within a silver band, it was on sale
just for one dollar that my father
told the saleslady I'd saved.
          I bought the ring to give my mother

"Love Letters"

Mar 10, 2014

Wow!
was written in the dust
on the beside table.

The dawn and I blushed together
as your spurs
chinged
around the kitchen
as you started the fire.

I stretched full length
on the cool smoothness
of the sheets,

a kept woman
a woment longer.

Within an hour's time
we'll be ahorseback
in a long trot
to some distant blue mountain
hunting cows.

I'll carry your message
close
knowing there will come a day
I would give a year of my life
for that...
Wow!

During this program Chérie Newman talks with Billings, Montana, author Blythe Woolston about her new novel for young adult readers, Black Helicopters. First question:  "Why was terrorism an idea you wanted to explore with your writing?"

From the publisher:

During this program, Josh Slotnick talks about the art of farming, pigs, and his new poetry collection, FarmHome. He also reads a few poems.

About the book:

David James Duncan called Slotnick "a Wendell-Berry-style 'mad farmer'" and said, "The bracing bittersweetness lacing this free-verse report from the frontlines of a post-corporate agricultural renaissance is all the sweetness we need. HomeFarm is one of the most responsible books of poetry I've ever read."

"Birds of a Feather"

Feb 17, 2014

(For Marylor)

A woman I love, my ex-wife
with our infant granddaughter
rounded an aisle
in the new Safeway
where we were shopping.

"There's a sparrow flying overhead,"

she said, when she saw me.
We both looked upwards.
I wanted so badly
to tell her something
she could cherish, so she
would know

that I love her, like her even,
more than I hate her, but all
I could think of was a bird
I once saw shredded
by an exhaust fan.

Feathers floating willy nilly.

Marjane Ambler talks about and reads from 'Yellowstone Has Teeth: A memoir of living year-round in the world's first national park.'

About the book:

When Marjane Ambler and her husband, Terry Wehrman, lived in Yellowstone from 1984 until 1993, storytelling was still the favorite community pastime. A journalist by training, Marjane could not resist chronicling those stories of life on a modern frontier.

"Study for the Ridgeline Blue in Winter"

Jan 27, 2014

Throbs up from the darkening draws, eluding
dusk's clutch. Calls out and the owl
calls back, answering with her own ample koan.
When the world was flat we thought darkness
fell. Now we know it rises firelike from earth,
spindling up the oaks' trunks, engulfing
ridge and canopy.
                      The resulting smoke, then—
hue of a breath exhaled by a late-arriving disciple
come to examine the charred chaos of day
(such a staunch monk!) igniting itself again—
the odorless remains.
                       Then. The hanging

"Light"

Jan 13, 2014

An artist places the intangible
              and tangible objects on the table together:
drift of diamond light from the Sky of the Mind
with the Asian poppy, the plate of wild seedling plums.

The direction is set, sun caught in eastern branches
when our empty hands have their other side of fullness.
              Still life: morning star. Moon.
Dawn. The sun (who is A Bird Singing in the Moonlight).

"January in Montana"

Dec 30, 2013

Light from the sky is precious like sips
of hot tea, a luxury, elite. On my drive
to work, I pass through wetlands filled
with Canadia geese and hawks.
Morning frost drapes the hood
of my car in wet velvet. Fog lifts from
ponds: a lace shawl hugging
curves of the water's edge.

Dead weeds in fields join mounds
of stone sugared under hoarfrost.
Snowflakes fluttering,
inexhaustible lovers waltzing.

During this program, Wyoming author Alyson Hagy talks about and reads from her novel Boleto. She also tells the story behind the story, which involves a young man she met seven years before writing the book.

About the Book:

"Solstice Poem 2005"

Dec 23, 2013

                                      -- for my friends, especially Ken Brewer

Today I glimpsed
a short-eared owl above
a rise just south
of Little Mountain.
Gone, when I looked again.

Of course this is metaphor
for the beauty and brevity
of life and for tragedy.
The owl will kill,
the owl will die.

At home, at dusk, in snow,
I hauled cut flood-wood
from the other side
of the river then
stacked logs by the willows

Brandon Schrand talks about the influence reading literature had on his early life, when he was a boy growing up in Soda Springs, Idaho, and during the seven years he spent muddling his way through college (the first person in his family to go to college). He also reads several passages from his second memoir, Works Cited:  An Alphabetical Odyssey of Mayhem and Misbehavior.

About the Book:

Even as bones they were sublime, the sky-
scraping brachyo- an brontosauri,
tree-boned haunches, handfuls of arm-length claws,
T. Rex with teeth uncountable as stars.
In my mind, they were fleshed, they ripped and gnawed.
Crossing Central Park at dusk, I'd see
the giants grazing still, the swaying treetops
hiding some great nibbling head, and hear
them in the ground-juddering thunder
as our subway shot like progress from the dark.
Then swallowed us, like some great whale or ark.

"The Snow In Wyoming"

Dec 9, 2013

...let's see what words you'll use to write the poems you write today, dreaming of Wyoming.
                       -
Miguel d'Ors

The dream will go wherever I go, luminous and dense
with its immovable rock ridge and water
cascading over red or yellow hillsides,
depending on the light,
                  while a buffalo's forehead
clears a path through the snow.

"Toys 'R' War"

Dec 2, 2013

Hey kid!
Need a gun for Christmas?
How 'bout a land mine, grenade launcher
or poison dart?
Wanna go to the virtual reality world
and beat down homeless people?
Hey kid!
We have loaded dice,
hemlock rice,
'n' 28 flavors of body lice.
We have cartoons of a baby buggy
loaded with 30 lbs. of TNT
exploding in a crowded Baghdad street market,
and our laser swords will glow
through Silent Night,
O Holy Night.

Giving Thanks, A Few Years Later

Nov 25, 2013

The sliding barn door slams against the far wall
winter light pours in like water through floodgates
dust floats in trapped sun

I reach up and grab the feet
of one more stunned and screaming
blue-green-brown Naragansett turkey
roosting in the rafters

Quick, he's upside down, wings spread out
heavy body bouncing
against the right hip of my spattered coveralls

100 turkeys, 8 friends, 3 days before Thanksgiving

Henry Real Bird talks about Crow Indian culture and reads poems from his new collection, Wolf Teeth. He also sings a poem.

About Henry Real Bird's poetry:

"Pick Up"

Nov 18, 2013

What kind of finger to point? At which
map showing which right or southern turn? On
the newly poured shoulder, tar sucks at my shoe

I'm willing to walk out here alone, gravel grinding
my heel, gray day and the surface of the road
one continual oatmeal. No one thumbs

a ride on the frontage road but me
so no one stops but you. Stories of fingers
in the psychopath's pocket, suspicion float back

and forth in our first stumbling exchange.
You need me for company. I settle grateful.
Highway lengthens toward silence, hazard lights

"Complexity"

Nov 4, 2013

What didn't work the first time
won't work the tenth. This is true
of everything structured by desire
which continues to beat against walls
as if they can dissolve with repetition.

This is a problem in all relationships
that begin in image and end in dreams
that nag though night with what
never was and could not be.
In between these stages comes touch.

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