western author

Giving Thanks, A Few Years Later

Nov 25, 2013

The sliding barn door slams against the far wall
winter light pours in like water through floodgates
dust floats in trapped sun

I reach up and grab the feet
of one more stunned and screaming
blue-green-brown Naragansett turkey
roosting in the rafters

Quick, he's upside down, wings spread out
heavy body bouncing
against the right hip of my spattered coveralls

100 turkeys, 8 friends, 3 days before Thanksgiving

Henry Real Bird talks about Crow Indian culture and reads poems from his new collection, Wolf Teeth. He also sings a poem.

About Henry Real Bird's poetry:

"Pick Up"

Nov 18, 2013

What kind of finger to point? At which
map showing which right or southern turn? On
the newly poured shoulder, tar sucks at my shoe

I'm willing to walk out here alone, gravel grinding
my heel, gray day and the surface of the road
one continual oatmeal. No one thumbs

a ride on the frontage road but me
so no one stops but you. Stories of fingers
in the psychopath's pocket, suspicion float back

and forth in our first stumbling exchange.
You need me for company. I settle grateful.
Highway lengthens toward silence, hazard lights

"Complexity"

Nov 4, 2013

What didn't work the first time
won't work the tenth. This is true
of everything structured by desire
which continues to beat against walls
as if they can dissolve with repetition.

This is a problem in all relationships
that begin in image and end in dreams
that nag though night with what
never was and could not be.
In between these stages comes touch.

Bigfork, Montana, author Leslie Budewitz talks about and reads from Death Al Dente, the first book in her new Food Lovers' Village Mystery Series.

About the Book:

"October Aspens"

Oct 14, 2013

I see pale yellow aspen leaves
along the shaded background mountainside
which quake and quiver in the slightest wind
as if they are determined to maintain
their named identity in bold defiance
of the seasons' change to duller hues—
and share their mood of glum diminishing.
         So what is it about this momentary glow
of quaking yellow aspen leaves,
waving along white-grayish boughs,
accompanied by shrieking crows,
cascading under purple clouds,
that suddenly evoke in me a shudder
for all transient breathing things:

During the program Shawn Vestal talks about and reads from his collection of stories titled 'Godforsaken Idaho.'

"Sometimes Odowan"

Sep 23, 2013
Dragonfly Weather, poems by Lois Red Elk
Lost Horse Press

Sometimes when I sleep,
I hear buffalo coming,
Sometimes when I sleep,
Tatanka sings me songs.
Hey yo hey yaaaaah.

Sometimes when I dream,
I see dragonflies flying.
Sometimes when I dream,
Tusweca sings me songs.
Hey ya hey yaaaah.

Sometimes when I wake,
I feel the earth moving.
Sometimes when I wake,
Maka Unci sings me songs.
Hey ya hey yaaaaah.

During this program, Rick Bass talks with TWQ producer Chérie Newman about his novel All the Land to Hold Us. He also reads a passage from the book.

"Good Intentions"

Aug 19, 2013

Wesley and I aspired to build a lake
in his backyard, with lily pads and fish
and frogs. We dug a hole, planted
an old hog trough, filled it with good
water from the garden hose. Pedaled
for the river, buckets clanging from our handlebars,
fish nets lashed to our bike frames and fenders.

Under the bridge, minnows schooled in the shallows--
shiners, and chubs, and bullhead fingerlings.
Easy to scoop with our nets and fill bucket loads
quickly. Frogs dived under but sooner or later surfaced

During this program, TWQ producer Chérie Newman talks with David Abrams about his novel Fobbit.

"Little Boys and War"

Aug 12, 2013

I was six; brother was five.
Papa was gone to war.
Planes roared overhead
Racing for the city,
Our farmhouse shook;
Dishes crashed on the floor.

Mama screamed and
Called us to her.
In the roar, we wouldn’t hear,
And rushed outside
To watch the show.

Could we really see the bombs
As they flew toward the city?
“There! There!” we’d yell
As planes swooshed low
And dirt blossomed upward
And lives and property
Were destroyed for our enjoyment.

And mama screamed

During this program, Zan Bockes talks about writing her way through grief, and her adult perspective on an abusive childhood. She also reads from her collection of poetry, Caught In Passing.

"Thought Under Construction"

Aug 5, 2013

There's no first stanza and maybe we should all go home,
since thinking isn't easy under any circumstances. And if

'home' is what's under construction? The work crew first
disconnects the stove, then turns up the radio. Omelets and broken

eggs, yes, but quiet and even the chips and cracks
were the script. Like the script of a one-note seasonal bird

when a chill moves over a lake. But not like the radio.
The first rule of construction? Destruction. Even the bees

"The Velocity of Love"

Jul 22, 2013

So still we sit
in chairs that mold our breathing,
frightened birds
with feathers slimed in oil,
fish in nets, bodies
pressed against the figure
of their deaths.
We haven't spoken
for an hour. Your last
word digs holes in the air and
hangs.

Beneath this weight, Father,
tell me I'm lighter than light,
that my love for you outruns
the spinning lance
of hate.

If I could speak,
I'd tell you it doesn't matter
how hate is as strong
as the other, how quickly
exchanged for love,

"Nuthatch Sitting on a Bear's Nose"

Jul 8, 2013

Really just a small cast iron representation
of the latter, a bottle opener mounted
to the southeast post of the shack's porch,
a Christmas gift from my niece,
and nothing to be stood upon, not even by a bird,
except for the nugget of ice at the end of the snout
that gives it a place. Some think art is lost
on the beasts of field and forest. Not I.
The chainsaw sculpture of an eagle
I fashioned years ago and fastened to a stump,
was sniffed at at length before the coyote

"Fourth of July"

Jul 1, 2013

If I have any romantic notions left,
please let me abandon them here
on the dashboard of your Subaru
beside this container of gas station
potato salad and bottle of sunscreen.
Otherwise, my heart is a sugar packet
waiting to be shaken open by some
other man’s hand. Let there be another town
after this one, a town with an improbable Western
name—Wisdom, Last Chance—where we can get
a room and a six-pack, where the fireworks
end early, say nine o’clock, before it’s really
gotten dark enough to see them because

During this program Chérie Newman talks with Billings, Montana, author Blythe Woolston about her new novel for young adult readers, Black Helicopters. First question:  "Why was terrorism an idea you wanted to explore with your writing?"

From the publisher:

"Trot"

Jun 24, 2013

A loose translation, not yet quite a gallop, more than a walk: to be
literal is to be a little jerky, rider and horse not unified into that
smooth flight of sweet aching below the saddle, all feet off the
ground at once. Well, another hour goes by. You'll need it. But it
gives you the idea—lap slapping against leather or, bareback, the
soft hair below the mane, yet it's not a place you can stay for long,
breath beginning to move in response to the horse's footsteps—
even more involuntary, a quick exhalation, a little feat of being

"The Voice of the Father"

Jun 17, 2013

Often, as mother bent her slender back
to the fields, or pulled the bloody slip
of a lamb into the world,
I wandered the house,
studying motes of dust brought to life
by sunlight. I was looking for you.

"Gathering Mint," a poem by Laurie Wagner Buyer

Jun 10, 2013

He woke quiet, ate potatoes and eggs
sitting alone on a cottonwood stump in the sun.

At noon he took a rifle, burlap bag, and handful
     of dried apples,
saddled the glass-eyed gelding, corralled
     the wayward mare,
whistled one long high note for the hound
     and was gone.

It was late the first summer, river running
     low, meadow grass tassels paled by wind.
I weeded the garden one faded row at a time
     while the goats lazed in barn shade
and the mare paced,
     nickering again and again.

During this program, Chérie Newman talks with Pam Houston about her book Contents May Have Shifted, a novel which Houston admits is about 87% true. So why didn't she publish it as a memoir? Newman wants to know. The answer has to do with the public's perception of truth and, of course, publishing industry lawyers.

About Contents May Have Shifted:

Stuck in a dead-end relationship, this fearless narrator leaves her metaphorical baggage behind and finds a comfort zone in the air, “feeling safest with one plane ticket in her hand and another in her underwear drawer.”

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